PROGRESSION · Imaj7–iiim7–vim7–iim7

The Neo-Soul Loop

Four diatonic sevenths that share so many notes the loop barely seems to move. That stillness is the sound. Also called the R&B seventh loop.

In Eb major

Ebmaj7 – Gm7 – Cm7 – Fm7 — lush, unhurried, floating, around 84 BPM.

  1. Bar 1 Imaj7 Ebmaj7
    CDEFGABCEbBb
    Eb · G · Bb · D
  2. Bar 2 iiim7 Gm7
    CDEFGABCBb
    G · Bb · D · F
  3. Bar 3 vim7 Cm7
    CDEFGABCEbBb
    C · Eb · G · Bb
  4. Bar 4 iim7 Fm7
    CDEFGABCAb
    F · Ab · C · Eb

Why it works

Adjacent diatonic seventh chords share three of their four notes, so a whole loop can be played with the top voices almost stationary while only the bass moves. The result is closer to a slowly shifting colour than a chord progression. Because every chord carries a seventh, no plain triad ever appears to break the texture — the moment one does, the spell drops.

Where you'll hear it

R&B, neo-soul and lo-fi. It rewards extensions: add ninths freely, since the loop has no dominant chord whose tension they would blunt.

Imaj7–iiim7–vim7–iim7 in every key

The same progression transposed. The roman numerals never change — that is the whole point of writing progressions this way.

KeyImaj7iiim7vim7iim7
CCmaj7Em7Am7Dm7
DbDbmaj7Fm7Bbm7Ebm7
DDmaj7F#m7Bm7Em7
EbEbmaj7Gm7Cm7Fm7
EEmaj7G#m7C#m7F#m7
FFmaj7Am7Dm7Gm7
F#F#maj7A#m7D#m7G#m7
GGmaj7Bm7Em7Am7
AbAbmaj7Cm7Fm7Bbm7
AAmaj7C#m7F#m7Bm7
BbBbmaj7Dm7Gm7Cm7
BBmaj7D#m7G#m7C#m7

Related progressions

Drill the chords behind Imaj7–iiim7–vim7–iim7

Build every chord in this progression from its symbol, against the clock.

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